⭐️⭐️⭐️ I love Walter de la Mare! Although I gave this a three, it is only because his other work is so fabulous that this one failed to thrill by comparison. Much of his work carries the theme of isolation. In The Return, although not his best work, the protagonist gets possessed by a dead man after falling asleep on his grave. But De la Mare doesn’t seem to know what to do next with this, so the character is caught in a tangle of estrangement with friends, family, and even himself throughout the story. But perhaps that was the point all along—a point which begs one to ask: who are we anyway? .
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This copy is from @aaknopf a 1922 edition. .
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